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Beyond All Light
by Anagnorisis
supported by 5 fans who also own “Sad Presentiments of What Must Come to Pass”
Unexpectedly epic and eclectic at times. You never know what may pop up in the background. Dunno how I missed this for so many years.
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supported by 5 fans who also own “Sad Presentiments of What Must Come to Pass”
This is my favorite metal album of all time. The only bad thing is that the vocals are somewhat buried in the mix. Otherwise, the record perfectly blends a mix of metal genres with excellent songcraft. A record you'll listen to again and again.
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supported by 5 fans who also own “Sad Presentiments of What Must Come to Pass”
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it. That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter.
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The metal’s band revelatory new record crosses genres and styles, effortlessly combining seemingly incompatible subgenres.
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Streamlining their post-metal sprawl through a sharper melodic focus, the Scottish juggernauts' third LP is labyrinthine yet approachable.
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Killer, knotty blackened prog from Norway, full of ferocity and complexity, with blistering guitar leads aplenty.
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supported by 5 fans who also own “Sad Presentiments of What Must Come to Pass”
For those of use whose attention span isn't what it was for ambient and who need something more narrative than noise, there is the sub-genre of atmospheric black metal that I'm inclined to call "monolithic". Paysage d'Hiver might be the archetypal example. But if you just want to be consumed by a relentless wall of beautiful air pressure, this is ideal.
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